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DPA 4055 kick drum microphone

4055 Kick Drum Microphone

Designed to kick the bass to the next level, the 4055 takes the traditional concept of a kick drum mic and turns it on its head - no more pre-tailored sound - now you can take sound design back into your own hands.

What makes the 4055 stand out from the competition is that it delivers the renowned DPA sound, clarity and linear frequency response, both on axis and off axis. Its low frequency response and dynamics are superb and result in a tight, natural, well-defined sound - the best low-end with detailed mids and highs.

The 4055 is one of the only kick drum mics that is not sonically pre-tailored to fit a traditional sound in a specific genre. Its performance allows a professional sound designer to create the exact sound s/he is listening for - regardless of the music genre. Want more attack? Slide the 4055 into the bass drum and point it directly at the beater. For a super-low-end sound, place the 4055 at the hole, just on the outside of the front head. Here, the level of sub and lows are represented the most.

Not only does the position inside or outside the kick drum give you different sounds but working with the angles of the microphone just outside the hole will deliver nuances of the drum sound. No matter what sound preference you have, the 4055 captures the true sound of a kick drum, whether it is used in classic, jazz, rock or any other genre.

The 4055 is placed in a large, robust housing and there is wind damping foam just in front of the capsule, behind the grille. A specially-designed shock mount also suspends the capsule inside the housing to avoid vibrations from the stage. The shock mount together with the extra wind damping ensures that the 4055 captures only the source.

The 4055 is easy to position, both inside and outside the drum. Its unique asymmetric design makes it quite easy to place the mic through the drum hole without ripping the front resonator skin.

Not just for the kick!

The 4055 is not limited to the kick drum. It works equally well on other instruments, such as electric guitar cabinets, bass and horns. Its flat frequency response and ability to bring the uncolored sound to the next level works well on many instrument types.



4466 CORE Omni Headset Mic, Beige, MicroDot

These new variants combine the renowned 5 mm capsules with CORE by DPA technology and the Red Dot award-winning Refine headset.
These are the most advanced headsets – secure, durable and flexible for segments including: Theatre, Broadcast, House of Worship and Conferencing.

Key features
  • One-size-fits-all - head sizes and shapes
  • Comfortable 3-point grip – above, below, behind the ear
  • Easily adjustable – frame size, boom length, placement
  • 90° adjustable cable guide – keeps cable out of sight
  • Non-reflective PVD surface on headset frame, boom, capsule

4488 CORE Directional Headset Mic, Beige, MicroDot

These new variants combine the renowned 5 mm capsules with CORE by DPA technology and the Red Dot award-winning Refine headset.
These are the most advanced headsets – secure, durable and flexible for segments including: Theatre, Broadcast, House of Worship and Conferencing.

Key features
  • One-size-fits-all - head sizes and shapes
  • Comfortable 3-point grip – above, below, behind the ear
  • Easily adjustable – frame size, boom length, placement
  • 90° adjustable cable guide – keeps cable out of sight
  • Non-reflective PVD surface on headset frame, boom, capsule

Sony C-100

Two Way Condenser Microphone

The Sony C-100 is a two way condenser microphone, compatible with High-Resolution Audio, and suitable for vocal and critical instrument recording in the studio. Incorporating newly developed double microphone capsules and noise elimination structure, originally employed in the C-800G microphone, the C-100 delivers a broad frequency range of 20 to 50,000 Hz and excellent reproduction of vocal and musical qualities. The condenser element of the C-100 microphone provides a selectable pick-up pattern (Omni/Uni/Bi) for various recording applications.


Capsule type 2-way microphone (condenser + back electret condenser)
Directivity Uni- / Omni- / Bi-directional
Frequency response 20Hz - 50kHz
Output impedance @ 1kHz 90Ω ±15%, Balanced
- Uni-directional -31dB (0dB = 1V/Pa @ 1kHz)
- Omni-directional -37dB (0dB = 1V/Pa @ 1kHz)
- Bi-directional -35dB (0dB = 1V/Pa @ 1kHz)
Dynamic range:  
- Uni-directional 113dB or more
- Omni-directional 114dB or more
- Bi-directional 114dB or more
Signal-to-noise ratio:  
- Uni-directional 75dB or more, (A-weighted, 1kHz, 1Pa)
- Omni-directional 70dB or more, (A-weighted, 1kHz, 1Pa)
- Bi-directional 72dB or more, (A-weighted, 1kHz, 1Pa)
Inherent noise:  
- Uni-directional 19dB or less, (0dB = 20μPa).
- Omni-directional 24dB or less, (0dB = 20μPa)
- Bi-directional 22dB or less, (0dB = 20μPa)
Maximum input SPL:  
- Uni-directional 132dB, (0dB = 20μPa)
- Omni-directional 138dB, (0dB = 20μPa)
- Bi-directional 136dB, (0dB = 20μPa)

(For full specifications see manufacturers product site under "links" tab)


Ferrofish 32pro Dante, Multimode SFP

A32pro Dante - Clever Conversion And Routing

The A32pro Dante is our flagship connecting digital and analog audio to the world of Dante: All interfaces, whether analog, MADI or ADAT, are brought using the integrated routing matrix into the Dante network. Of course, all features of the A32pro are still available.

The A32pro Dante is not just a converter – it’s also the ultimate problem solver thanks to its incredible flexibility, thanks to its modular hardware platform. Overall, the A32pro Dante processes 386 channels, all highly integrated into a 1 slim rack unit. Enumerating all the configurations of the A32pro Dante is almost impossible: in addition to the 32 x 32 studio-grade balanced analog inputs and outputs up to 192kHz, there are a stereo main out, four ADAT I/O, two MADI I/O ports (SFP slots) and of course Dante, brought out redundant on two RJ45 jacks. Everything is routable in groups of 8 channels each.

Clarity and operational reliability has first priority: Both Dante and MADI are laid out redundant, an essential feature for live operation! Of course, a second power supply can be connected, and thanks to the four multitouch TFT screens, the user always has full control.

Packed into a compact 1RU, the highly integrated converter is equipped with 32 x 32 balanced analog channels, brought out on eight D-SUB connectors. They deliver studio levels up to +20dBu, individually adjustable in 1dB steps. The sophisticated design, using latest generation ESS converters, accompanied with a temperature-compensated clock and jitter reduction PLL guarantees best crystal clear sound up to 192kHz.

Even operation of the A32pro Dante is done without any compromise, almost self explaining, as with all our products: A total of four multitouch TFT screens show the levels of all 64 channels, it can’t be done better. Controlling the unit also benefits from the screens: a sophisticated help system built into the device provides context-sensitive help for the selected function at all times. Control by the RemoteFish App (PC and Mac)  is also possible via USB (USB-over-MIDI), MIDI, MIDI-over-MADI and Dante.

The two headphone outputs can monitor any analog or digital input or output: ideal for control or monitoring. As a monitoring format mono, stereo and even M/S is possible. In addition to the dual stereo operation a fully balanced mode using both outputs for even more output power is available.

Dante Plug & Play

Integrate the A32pro Dante seamlessly into your Dante network has never been easier. Just plug it in and the device is visible on the network and ready to be routed freely using the Dante Controller software. Together with the Dante PCIe Card or DVS (Dante Virtual Soundcard), the A32 Dante turns into a universal audio interface.

4 x Multitouch TFT User Interface

Keep track of all 64 analog input and output channels at any time: Everything is shown clearly on the four TFT screens. The screens  also show the status of all digital interfaces, as well as the status of GPIO and loaded preset, easy to always keep track of whats happening. Status information and all functions are presented clearly and intuitively, so no need to consult the manual anymore. The multitouch sensitive user interface makes the unit a pleasure to operate.

Internal Routing Matrix

All 192 x 192 analog and digital channels of the A32pro Dante are brought together in groups of 8 using the internal routing matrix. For easy monitoring, any channel, no matter if input or output can be monitored in mono, stereo and even in M/S (mid/side) by one of the two independent headphone outputs. For audiophile scenarios a full balanced output mode using two stereo outputs for balanced wired headphones is available as well.

Dual Slots for DSP Sticks

The modular platform is ready for expansion: Two slots for optional DSP sticks open a whole new world for multichannel audio processing.

Redundant Power Supply

For reliability, the A32pro Dante can be powered by two power supplies. Both power supplies are permanently monitored, and switched without interruption in case of failure. Warning message is shown on the screen or send via MIDI to be able to react on this failure.

Flexible Remote Control

The comprehensive remote software RemoteFish for PC and MAC is available to control the A32pro series. In addition to USB, the A32pro Dante can also be connected via MIDI (by simple MIDI commands), MIDI-over-MADI and Remote-over-Dante. All Ferrofish devices are automatically detected and listed in the software.

Radial HDI
R800 2025 00

High Definition Studio Direct Box

Despite the complex circuitry housed within the unit, the HDI has an elegant set of controls that allows the musician or engineer to dial up a record-ready sound with a minimal amount of tweaking required. The Level control drives the inputs of the HDI with instant visual feedback from the responsive front panel meter, while the Color knob provides seamless blending between an ultra-clean tone and amp-style distortion and saturation, so you can add just the right amount of character and grit to your instrument. A smooth Opto compressor can be engaged to control the peaks of the input signal, and a High-Pass Filter clears up any excessive low frequencies added by the Color control. Lastly, a Presence control accentuates the highs and high-mids, providing the ability to cut through the mix with results that are sure to impress.

(For specifications see manufacturers product site under "links" tab)


BT-Pro V2
R800 1057 00

Stereo Bluetooth Direct Box

The BT-Pro V2 is a Bluetooth-enabled direct box that connects wirelessly to smartphones, tablets, and other mobile devices and provides a pair of balanced analog audio outputs to feed a PA system. Each BT-Pro V2 has a unique identifier, allowing multiple units to be used within the same building. The latest model of the BT-Pro can also be powered via 48V phantom from a mixing console.


Audio circuit type Active audio line driver
Frequency response 20Hz - 20kHz
Dynamic range 90dB
Total harmonic dirstortion 0.05%
Output impedance 150 Ohms
Signal to Noise 90dB
Bluetooth compliance Bluetooth 5.0
Data Compression SBC and AAC Codecs
Power USB-C connector (power only) or 48V Phantom Power

(For full specifications see manufacturers product site under "links" tab)


Guardian Show beltpack

Vokkero Guardian Show Beltpack

Vokkero Guardian Show is a standalone wireless intercom system designed for audiovisual productions and live events.
It allows you to create an instant and permanent conference system in less than 3 minutes, with pre-built configurations for different Pro Audio use cases.
It provides clear and intelligible communication with the hands-free guaranteeing increased security and productivity for teams of technicians.

Intuitive handling, no fixed installation required!

Headsets are sold separately


Key Benefits
Voice priority mode available for stage director
3 radio & audio presets (rigging, live, studio) for many use cases
Adaptable to a noisy stage building to the quietness of a studio set
Gate modes and many features can be adjusted from beltpack
10 available radio channels with adjustable RF power
4 groups per channel and an unlimited number of users
Patented noise filter, suppression of surrounding noise
Hardened digital encryption: exchanges secured by an AES 128 key
Alarm function: vibrator or audible signal


Technical Specifications

  • Audio sampling rate: 16khz
  • Range: up to 1.2 km
  • Battery life: 7 hours (permanent communication) to 11 hours (normal usage)
  • Recharging time: max. 4 hours maximum
  • Terminal power supply: Lithium removal battery
  • Frequencies Royalty-free, no communication costs according to radio regulations in Europe (ETSI)
  • Encryption: AES 128 key

(For full specifications see manufacturers product site under "links")


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